These art sculptures placed artists at the forefront of their works as their pieces were not always available to viewers, meaning that artists were sometimes the only individuals who knew of the existence of their works. The concept of site specificity was introduced to the art world by the Earth art that was created. Their eventual disintegration emphasized their impermanence, which created a stark juxtaposition against art that was traditionally safeguarded inside galleries and other monitored settings. Completely unprotected from the elements, these installations were left to organically decay within nature. Heavily inspired by prehistoric works such as Stonehenge and the Pyramids, Land Art was often created in remote areas that were removed from urban society and quite inaccessible. Favored materials included soil, vegetation, rocks, gravel, stones, twigs, and water that were typically found on-site, with the inclusion of these materials honoring the specificity of the site. These artworks were often sculpted from the land itself or made into Earthwork art by using natural materials that were at the artist’s disposal. Land Artists explored the boundaries of art through the materials they used and the location of works, often directly intervening in the landscape in order to construct their sculptures and installations. Land Art intended to increase public awareness of our relationship with the natural environment through the various thought-provoking artworks that were created. After the peak of the Minimalism Art movement, Land Art formed part of the wider Conceptual Art movement that existed at the same time, when the traditional and formal elements that governed art creation were called into question. Known as environmental art, Earth art, and even Earthworks at times, Land Art refers to the art form that began to develop in the late 1960s in America.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |